Showing posts with label classic. Show all posts
Showing posts with label classic. Show all posts

Film: The Weather Underground

The Weather Underground is a 2002 documentary film based on the rise and fall of the American radical organization The Weathermen. The group's goal was to "bring the (Vietnam) War home" through acts of militant tactics.

The National Film Board of Canada (well, what's left of it anyway)
has started a new website, nfb.ca that showcases its back catalog of films in the you tube format.

The following film is among many to be found on the site.

Titled "Bethune" it covers the life of the famous lung surgeon and communist. It is a Donald Brittain film, from 1964 and has a run time of 58min 38 sec.

Friday Film: The Fog of War

The Fog of War: Eleven Lessons from the Life of Robert S. McNamara (2003), directed by Errol Morris, is an American documentary film about the life and times of former U.S. Secretary of Defense Robert S. McNamara. The original score is by Philip Glass.

Using archival footage, United States Cabinet conversation recordings, and an interview of the eighty-five-year-old Robert McNamara, The Fog of War depicts his life, from his birth during the First World War remembering the time American troops returned from Europe, to working as a WWII Whiz Kid military officer, to being the Ford Motor Company's president, to his being employed as Secretary of Defense and the Cuban Missile Crisis, to managing the American Vietnam War, as defense secretary for presidents Kennedy and Johnson — emphasizing the war's brutality under their regimes, and how he was hired as secretary of defense, despite limited military experience.

Friday Film: Love and Anarchy

Romance! Prostitutes! Anarchists!

Love and Anarchy (Italian: Film d'amore e d'anarchia) is a 1973 film directed by Lina Wertmüller and starring Giancarlo Giannini and Mariangela Melato. The story, set in Fascist Italy before the outbreak of World War II, centers on Giannini's character, an anarchist who stays in a brothel while preparing to kill Benito Mussolini. Giannini's character, while preparing to assassinate Mussolini, falls in love with one of the whores working in the brothel. This film explores the depths of his emotions concerning love, his hate for fascism, and his fears of being killed while assassinating Mussolini.

Monday Music Video: David Rovics-Live -you ain't done nothing if you ain't been called a red

Here's a classic radical song as song by David Rovics.

For those who are not in the know, David Rovics is an indie singer/songwriter and grassroots political protestor from the United States. His music is most accurately described as protest-folk and concerns topical subjects such as the 2003 Iraq war, anti-globalization and other social justice issues.

Film: This Is What Democracy Looks Like

This film, shot by 100 amateur camera operators, tells the story of the enormous street protests in Seattle, Washington in November 1999, against the World Trade Organization summit being held there. Vowing to oppose, among other faults, the WTO's power to arbitrally overrule nations' environmental, social and labour policies in favour of unbridled corporate greed, protestors from all around came out in force to make their views known and stop the summit. Against them is a brutal police force and a hostile media as well as the stain of a minority of destructively overzealous comrades. Against all odds, the protesters bravely faced fierce opposition to take back the rightful democratic power that the political and corporate elite of the world is determined to deny the little people.

Hat-tip to Roig i Negre Videos for this.

Friday Film: Night of the Living Dead

Night of the Living Dead is a groundbreaking film in the history of the horror genre. Zombies where not from the Haiti, but Pennsylvania — this was Middle America at war, and the zombie carnage seemed a grotesque echo of the conflict then raging in Vietnam. I don't know what would have been more frightening for the times: zombie hordes, or a black male lead.

Short Clip: Kseniya Simonova - Sand Animation

This is a must-see. There's nothing else that needs saying.

Monday Music Video: Bella Ciao, for the Persian Awakening

From June to Augest, the people of Iran rattled the chains of oppression that bind them. While the movement was anything but revolutionary, I think that any movement that challenges the anti-Semites Islamic fascists and reactionary Mullahs in favor of greater freedom is one worth supporting.

This is an old Italian anti-fascist song, with a slide show of those involved in the insurrection and lyrics.

Friday Film: Kanehsatake 270 Years of Resistance

On a July day in 1990, a confrontation propelled Native issues in Kanehsatake and the village of Oka, Quebec, into the international spotlight. Director Alanis Obomsawin spent 78 nerve-wracking days and nights filming the armed stand-off between the Mohawks, the Quebec police and the Canadian army. This powerful documentary takes you right into the action of an age-old Aboriginal struggle. The result is a portrait of the people behind the barricades.

Film: Battle for the Trees

This documentary examines the battle strategies of citizens, scientists, loggers, environmentalists and First Nations people who are fighting over the liquidation of public forests and, with it, a way of life

Friday Film: Freaks

This is a great film. I've been somewhat hesitant to post it, as it's not political, and I was worried that some folks would think it "ableist". I would argue that it is the opposite. It does not demonize those with deformities, rather celebrates there differences. The physically deformed "freaks" are inherently trusting and honorable people, while the real monsters are two of the "normal" members of the circus who conspire to murder one of the performers to obtain his large inheritance.

Freaks is a 1932 United States horror film about sideshow performers, directed and produced by Tod Browning and released by Metro-Goldwyn-Mayer, with a cast mostly composed of actual carnival performers. Director Browning took the exceptional step of casting real people with deformities as the eponymous sideshow "freaks," rather than using costumes and makeup. Browning had been a member of a traveling circus in his early years, and much of the film was drawn from his personal experiences.